It’s that time of the year when music aficionados across all ends of the spectrum take a pause to reminisce and look back on what the year 2012 (also best known as the last year on earth) has brought to us so far in the music world. Fasterlouder’s done it, and so has a gazillion other bloggers out there across the interwebs. So I figured, while I’ve got some spare time on my hands (Yay for school holidays!), why not jump on the bandwagon and collate my own little list of the best and most exciting album releases that 2012 have managed to churn out thus far for our listening pleasures?
So without further ado, I present to you my list of top ten albums of 2012… so far!

1. HOT CHIP – IN OUR HEADS
Genre: Electronic, alternative dance
Released: June 2012
When you think you’ve heard the best there is that this band has to offer, Hot Chip once again blows it all out of the water with the release of their fifth studio album In Our Heads. I’ve said it once before and I’ll say it again – I don’t think these guys can seriously EVER do anything wrong! This record is such a confident, joyous and quirky little gem full of infectious pop hooks and a whole lotta groove. One of their best albums to date in my opinion and a perfect listen from start to finish.

2. THE MACCABEES – GIVEN TO THE WILD
Genre: Indie rock
Released: January 2012
While this third album signals a huge change in style and direction for The Maccabees, Given to the Wild is an album that triumphs where all their previous releases have failed. Through the shimmery and deliciously liquid guitar hooks on top of Orlando’s tentative and whispery vocals, this record takes me on a journey to the far reaches of the wild and back. Long gone are the tongue-in-cheek, playful and catchy melodies of their earlier releases. But it’s no sad farewell as what has emerged in its place is a band that has pushed themselves further than ever before, beyond the realms of comfort and the familiar into a whole brand new territory. The result is one spectacularly beautiful album.

3. CHAIRLIFT – SOMETHING
Genre: Indie pop, synthpop
Released: January 2012
Apart from their one-hit wonder iPod commercial success “Bruises”, Chairlift was pretty much nonexistent for me in the music sphere prior to the release of this sophomore album. Heavily influenced by the 80s pop revival scene, Something is an album that is so garishly and unashamedly pop that it can seem a little too much at first, but then grows on you upon first listen. It’s a charming little album, and amidst Polachek’s experimental falsetto and the swirly, synthy psychedelic beats is a solid foundation bounded by the good old light-hearted genre of pop. Though it can sound slightly indulgent at times, Something remains as equally cool, calm and confident – a strong reminder that there is no shame in living like it’s the 80s.

4. THE SHINS – PORT OF MORROW
Genre: Indie rock
Released: March 2012
It’s hard to believe that the last time The Shins bestowed us with an album prior to the release of this record was back in ’07, and with a five-year long hiatus in between the two (plus a major overhaul in the original lineup of the band), the question on everybody’s lips surely is whether it was worth the wait. Upon first listen, my answer is a definite yes. The first track on Port of Morrow is mindblowingly good – so good in fact that it warrants the album to be played over and over again – and the rest follows so smoothly and confidently in its track. Overall, it still sounds a Shins’ album, though there’s something that feels slightly different about it, an influence that perhaps stemmed from Mercer’s new found interest in side project Broken Bells. And I don’t think that’s necessarily a bad thing at all.

5. OF MONSTERS AND MEN – MY HEAD IS AN ANIMAL
Genre: Indie folk
Released: April 2012
What is it with the land of the Ice (see what I did there?) and producing good music? First, they gave us the wonderful talent that is Bjork, then there is the brilliance of Sigur Ros, and now Of Monsters and Men are undoubtedly following closely behind. For a debut release, this album is pretty damn good. It’s chockfull of epic choruses, heavy instrumentation and melodies that create huge walls of sound a la heavyweights of their genre, Mumford & Sons. Sure, there’s nothing hugely mindblowing or uniquely different on My Head Is An Animal. But what there is plentiful of is charm, a quiet confidence and an attractive sense of earnestness that is so promising for such a young, fresh band. This album is probably not going to be the best that this band will ever produce, but it can only be smooth sailing from here on forward.

6. MYSTERY JETS – RADLANDS
Genre: Indie rock
Released: April 2012
What do you get when you put a bunch of British indie rock lads in the middle of nowheresville in Texas to produce their latest record? Radlands - that’s what. I have to admit, it took me a really long time to warm up to this album. There’s an obvious Americana country music influence on this record that came with a bit of shock-horror at first, but after a couple more listens and a lot less comparisons to their former glories, on its own rights, Radlands is a rather solid album. It’s a definite reinvention of sound and direction from Mystery Jet‘s poppy “Serotonin” days. There’s an apparent yearning for maturity on this record signaling a band wanting to grow up to experiment and expand on their musical horizons, and if that’s not worth applauding then I don’t know what is.

7. METRIC – SYNTHETICA
Genre: Indie rock, new wave
Released: June 2012
Synthetica is an album that sticks true to its word. At times, the record feels a little overproduced and the preciseness of its tight and rhythmic guitar/keyboard combo can come across as uptight. But there’s an obvious strength to this record that I really dig. Minus the artificial vibe that perhaps is more obvious than intended, this record achieves such a perfect balance between electronic music and rock, the new and the old. It’s powerful stuff, and all this in addition to Haines’ now-more-than-ever bold and smoldering vocals. I mean, what more can you ask for?

8. LAST DINOSAURS – IN A MILLION YEARS
Genre: Indie rock, power pop
Released: March 2012
Time and time again, a new band equipped with debut release emerges into my periphery, engraves its own little place in my heart and stays there. Last Dinosaurs‘ first release does just that. I don’t know why really, because it’s not a record that demands a challenging listen, nor does listening to it change my perception of the world in any way. In fact, it’s quite the opposite and you may even describe In A Million Years as “generic”, being filled with lighthearted, power pop melodies that centers on your typical stories of heartbreak and young love (think Little Red and Two Door Cinema Club). But there’s something about this album that is strangely so appealing and sets it apart from the rest – perhaps it’s the honest sense of simplicity in their music that never fails to give me a warm feeling of nostalgia and youth, to the extent that you become addicted to playing this record on repeat until nothing else really matters and you lose track of all time.

9. THE TALLEST MAN ON EARTH – THERE’S NO LEAVING NOW
Genre: Folk
Released: June 2012
Our modern-day Bob Dylan does it again with the release of this third album. I think I have fallen so head-over-heels in love with The Tallest Man On Earth a.k.a. Kristian Matsson’s voice that he could be singing Opera for all I care, and I would still go out and purchase his record. There’s No Leaving Now is definitely a far-cry from Opera and in my opinion, one of his most confident releases thus far. It’s such a comforting little album, full of wonderful melodies, delicate instrumentation and lyrical genius. Although it’s easy to criticise Matsson for the lack of variety in his music and style throughout all of his three releases, if it ain’t broke, why fix it?

10. MIIKE SNOW – HAPPY TO YOU
Genre: Indie pop, electropop
Released: March 2012
Miike Snow is like a guilty pleasure to me. When their first album came out, their poor lyrical prowess and predictably generic “dance music” melodies made me cringe, but I found myself struggling to put their record down. Happy To You is no different. It’s markedly a lighthearted affair, even more so than their debut and even more packed with disco-tinged, sing-along melodies that gets the heart pumping and the body moving. There’s obvious improvement from its predecessor and what they lack lyrically, they make up for in melodies and style. So what if Wyatt sings about flying over archipelagos and “God Help This Divorce”? If fun is what you’re after, this album no doubt guarantees it.
So there you have it – my top ten favourite albums that have been released this year so far! There’s no doubt that 2012 is going to be an incredible year in the music sphere, with plenty more exciting and wonderful releases just looming over the horizon in the months to come, namely in the form of Bloc Party, Passion Pit, Two Door Cinema Club… the list goes on! Can’t wait to hear what’s in store for the future.
Happy listening y’all.
x glassesgirl